"Rooh" shows that the best thing about AWKS is the band’s willingness to experiment and progress
‘11:11’ is the kind of of agreeable, layered electronica that is good with herbs
It is 2019 and you can still find a great, exciting new guitar-based instrumental album. Good.
A sense of both comfort and resolution pervades “Chronicles: Consolation”, but that’s by design
"My Place To You" is a warm, fuzzy nostalgia trip
‘Stone Circle’ is a rather long-winded and toned-down affair
The video for “Mekkuri” has serious throwback vibes
"Tere Bin" features some 2000 hand-drawn sketches that have been painstakingly animated
"Rockumentary" is a look back at a country that making cutting-edge music long before MP3 players or curated EDM festivals
‘Rooh’ has a few pretty interesting things going on but the overall effect is quite understated
"Euphony" has all the ingredients that make a 2019 hipster happy
‘Armstrong’s List’ shows off the band’s great songwriting in a lofty, ambitious and sometimes vague concept album
Mixtape CEO Naveen Deshpande elaborates on the ins and outs of setting up the Jacob Collier gig
‘Mango Showers’ carries far more weight than typical singer-songwriter fare
The genre-bending saxophonist and bandleader plays two shows in the country this month
‘with you/for you’ is summery and light, and thank god for that.
Ok, really, this EP is good, but who is it for?
Arogya's new single ‘Dark World’ is a throwback to the Stratovarius era
What ‘Escape To Where You’re Wanted’ lacks in organic-ness, it makes up for in personality
‘Devil’s Bread’ is the Chandigarh band’s latest and is accompanied by an unsettling video
‘O’ represents Indian hip-hop’s forays into cloud-rap and contemporary sounds
Has Indian left the bling era and entered its thoughtful years?
Not only does this post-rock album stay away from everything that makes the genre boring, it is also one of the most solid releases this year
‘The Maze Of Existence’ is a weird, angular piano piece that has an uneasy vibe to it
The music business-related event is organised by Loudest.in and exchange4media
This one’s for the real fans, man.
The Chennai indie band are the latest entrant into the ‘Hey, old-school music was pretty cool!’ club
The new single is in two languages but musically squarely in the middle of one road
The new song from the Delhi heavyweights goes in a more indie direction
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The soundtrack itself is a testament to how music can work in a film that demands a lot of the viewer
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